A medieval love history: “Pontus and Sidonia”, 15th Century

Even with pictures like this -and this codex has a lot- this is a love story between Prince Pontus and Sidonia

The first –so far- love history at facsimilium. It's all about Prince Pontus, son of the king of Galicia, who falls in love with Sidonia, daughter of the king of Britanny. This is the german edition of a classic 12th Century original French text named “Ponthus et la belle Sidonie” based on Anglo-Norman chanson de geste "Horn et Rimenhild".

The most impressing thing about this codex are its illustrations, to be a love story some of them are really cruel, with detailed illustrations about battles against Iberia moorish sultan because Pontus -the Prince-, to gain Sidonia's heart, has to re-conquer his homeland Galicia occupied by moors. The historical context of this love story, is then located after 8th Century when most of Spanish peninsula came under Islamic rule and 10th Century, when all territories of Galicia where liberated by Alfonso and became part of the Kingdom of Asturias.

Illustrations depict jousts between two or more knights, again with high detail and cruelty, where winner knight proudly ports his enemy head, royal audiences, battles and jousts scenes, medieval parties or feasts, etc.

For a high resolution, pdf version of this manuscript, contact me (facsimilium AT gmail DOT com).

Floral Mania: “The new botanic garden”, by S.T. Edwards, 19th Century

Sydenham T. Edwards (1768-1819) was a natural history illustrator. When he was only a child –with 11 y.o.- he copied plates from “Flora Londinensis” – that he discovered in a public library- for his own enjoyment (Flora Londinensis is a book that described the flora found in the London region of the mid 18th century, if anybody know where the digitized codex is hosted please advise).

A certain Mr. Denman saw some of Edwards drawings work during those years. Funny thing: that Mr. Denman was a friend of William Curtis, the publisher of botanical works, and founder of the Curtis's Botanical Magazine. Obviously Denman told Mr. Curtis about the young talent and Curtis did a big effort to convince the family to be trained in both botany and botanical illustration. He did it.

Edwards’s illustrations turned out to be enormously popular during a period when British expeditions were made to previously unknown corners of the earth. These expeditions gripped the public imagination and the desire for new plants and illustrations.

Edwards produced plates at a prodigious rate: between 1787 and 1815 he produced over 1,700 watercolours for the Botanical Magazine, the New Botanic Garden 1807, the New Flora Britannica 1812, and the Botanical Register 1815-19.

Edwards was a Fellow of the Linnean Society.

For a high resolution, pdf version of this codex, contact me (facsimilium AT gmail DOT com).