Robert Hooke's Micrographia, 17th Century

Always felt the profoundest admiration for Robert Hooke. Probably was for me the better representative of that golden-crazy age of science revolution in all Europe during second part of 17th Century. Unfortunately Hooke was contemporary of Isaac Newton, who did more than much -his best- as president of the Royal Society to obscure Hooke's legacy and even memory (no authenticated portrait of Robert Hooke exists, and even this fact is attributed to Newton).

Hooke deduced that gravity follows an inverse square law, and that such a relation governs the motions of the planets, an idea which was subsequently developed by Newton. The complete compilation of correspondence between Hooke and Newton has been recently published: when Hooke started this letter exchange, he provided Newton a complete list of matters of his interest, and most important was about "compounding the celestial motions of the planetts of a direct motion by the tangent and an attractive motion towards the central body".

I always thought that the experiment related by Neal Stephenson on his historical fiction in which Hooke demonstrated that a dog could be kept alive with its thorax opened, providing pumped air in and out of its lungs was only fiction, but the real thing is that Hooke made this experiment with a helper and stayed pumping air during more than 20 hours, manually. Was in this experiment where Hooke noted difference between venous and arterial blood.

Robert Hooke´s experiment on the respiration of a dog. Looks cruel but there's a marvellous consequence: the first clinically useful ventilator equipment was used, for pumping air into the trachea via tubes, based on Hooke’s principle 250 years later (two bellows to produce a positive pressure through rapid pumping). Experiment paper with conclusions should be available here. (Until July, 9th this link was broken. I reported to London Royal Society).

Other investigations and discoveries attributed to Hooke were about mechanics, microscopy (Micrographia), palaeontology (supported the theory that extinction was a fact, that was theologically unaccepted then), astronomy (studies about measuring distances to stars, using gamma draconis; studied lunar craters, observed rings of saturn, etc), and also Architecture (helped to tebuild London after the great fire of 1666).

For a high resolution, pdf version of this manuscript, contact me (facsimilium AT gmail DOT com).

Spanish cryptography, 16th Century

Original title for this codex is "Discursos de la cifra", and is basicly a complete treatise on cryptography, including technical description of different methods for enciphering and deciphering using tables, volvelles, movable sleeves, and grilles. Codex was written by an unknown (at least for me so far but my investigation is still on progress) cryptographer in the service of Martin de Cordova, viceroy of Navarre, and dedicated to Juan Fernandez de Velasco, Condestable de Castilla, a Spanish official who held also government posts in Italy, under domination of Spain in that age.

Delicious poem that serve as a preface for first volume: In this borrowed life/ where good life is the key/ the one that is saved knows/ that the other knows nothing.

This codex is complex, because it's composed of two different books or treatises. Cryptography is the second volume. The first is more theoretical and describes ciphers based on subjects such as arithmetic, non-Roman alphabets (Greek, Hebrew) and writing systems (Egyptian, Chinese, Japanese, the writing of Indians of New Spain), astrology, musical notation, geography, currency, orthography, armorials, emblems, and enigmas.

Codex was sold by Martayan Lan -New York office- in Sept. 2001 and donated to the Pennsilvania University by Lawrence Schoenberg, an active philanthropist founder of the computer firm AGS.

Horace Howard Furness Legacy, 19th Century

Introducing theater at facsimilium... with a delicious collection of 19th Century American theatrical posters from the 1890s and -some of them- images from the collection of the Charlotte Cushman Club and mainly from the Horace Howard Furness Collection, hosted at University of Pennsilvanya dedicated to the study of Shakespeare and his contemporaries and, more generally, to the English Renaissance and the history of Shakespearean theatrical presentations.

The Furness Image Collection comprises more than 2,000 prints and photographs. The majority date from the nineteenth century, but the Collection also holds earlier and later images. These images illustrate and interpret Shakespeare's plays and also document theatrical performers and performances of works by Shakespeare and other dramatists.

Horace Howard Furness (1833–1912) collected in a single source 300 years of references, antecedent works, influences and commentaries about W Shakespeare opus. Member of  the WS Society of Philadelphia and also lecturer at the University of Pennsylvania, was the intendent of the "New Variorum" editions of Shakespeare. He Studied at Germany and after returning to the US, married Helen Kate Rogers, sister of Fairman Rogers, and heir to an enormous ironmaking fortune. His son Horace Jr. donated his father's Shakespearean collection to the University of Pennsylvania, whose Horace Howard Furness Memorial Library honors both.