Tuesday, January 19, 2016

The Rule of Saint Benedict, 13th(¿?) C.

The wonderful historiated initial below comes from the opening of a copy of the La regle saint Benoit, a French translation of the Rule of Saint Benedict. The illustration shows Saint Benedict addressing four attentive nuns. The artist incorporates suggestive details that give the scene a liveliness that is surprising for so small a picture. scene:: The nun closest to Benedict points to a passage, as if asking for clarification. Benedict holds his book closed, appearing to keep his place with his index finger as he pauses to answer a question.

Initial Detail 
 
Decorated initials are among the most striking features of manuscripts, but they were not widely attested until the Middle Ages. Books were rarely decorated in the ancient world because, even though literacy rates were higher, oratory remained the principal means of delivery while the physical books and scrolls were relegated to supporting roles.

During the Middle Ages, with the influence of Christianity, the book became important both symbolically and practically as an instrument of textual transmission. Decorated initials helped to reveal the structure of a text by emphasizing the beginnings of works, sections and verses. Historiated initials such as this one tended to be reserved for major divisions, while smaller initials might break a text into sections. A memorably decorated initial would help a reader locate its associated text. This is especially so when it reflected the text’s meaning, as in this case, where the initial introduces the sentence, Escoute fille les coma[n]demens de ton maître [Listen, daughters, to the commandments of your teacher]. It may seem odd that the initial, so appealing to the eye, introduces the injunction to “listen.” It reflects a cultural milieu in which the reception of texts was both auditory and visual.

This particular copy of the Rule I could find was produced in northeastern France toward the end of the thirteenth century. It also contains other devotional works, including Li livres des tribulations, Chanson d’amors de pure povreteit, and three short treatises. The French has feminine inflections, suggesting that the book was made for a female readership. An inscription pasted into the book by Claude de Grilly, a nun at the Abbey of Sainte-Glossinde, suggests the book may have been made for that convent.  JC

A couple of sources beeeelow... (sorry, is late while typing this after a hard day at job hehe) ::
  • Link provided to an Ebay seller (digital-scriptorium) that has auctions on ebay for a digitized copy of an 8th Century Rule of San Benedict of Nursia, probably this was one of the first editions commissioned.

Monday, January 18, 2016

NYPL’s NEW Digital Collections

The New York Public Library made a recent and exciting announcement --it has made available more than 180,000 images of public domain material from its collection as high-resolution downloads. The idea is to “facilitate sharing, research and reuse by scholars, artists, educators, technologists, publishers, and Internet users of all kinds.”

Images hail from every nook of the NYPL’s rich holdings, from medieval manuscripts to Federal Art Project and Farm Security Administration photographs. Looks nice, I still have to check max resolution available on those sources but... some samples below (links to source provided on images caption):

Thoreau-nypl.digitalcollections.e26fc720-6d0b-0132-8333-58d385a7b928.001.r.jpgHenry David Thoreau’s holograph draft manuscript of “Wild Apples,” 1850-1860.

Mss2.nypl.digitalcollections.510d47da-ec51-a3d9-e040-e00a18064a99.001.w.jpgText with illuminated miniatures, c. 1500-1525.

Map.nypl.digitalcollections.510d47d9-7d9f-a3d9-e040-e00a18064a99.001.w.jpgChromolithograph map, “Linguistic stocks of American Indians north of Mexico,” 1891.

Screen Shot 2016-01-11 at 9.41.07 AM.pngPhotograph by Berenice Abbott, “Oyster Houses, South Street and Pike Slip, Manhattan,” 1935.