Showing posts with label digital-scriptorium. Show all posts
Showing posts with label digital-scriptorium. Show all posts

Tuesday, January 19, 2016

The Rule of Saint Benedict, 13th(¿?) C.

The wonderful historiated initial below comes from the opening of a copy of the La regle saint Benoit, a French translation of the Rule of Saint Benedict. The illustration shows Saint Benedict addressing four attentive nuns. The artist incorporates suggestive details that give the scene a liveliness that is surprising for so small a picture. scene:: The nun closest to Benedict points to a passage, as if asking for clarification. Benedict holds his book closed, appearing to keep his place with his index finger as he pauses to answer a question.

Initial Detail 
 
Decorated initials are among the most striking features of manuscripts, but they were not widely attested until the Middle Ages. Books were rarely decorated in the ancient world because, even though literacy rates were higher, oratory remained the principal means of delivery while the physical books and scrolls were relegated to supporting roles.

During the Middle Ages, with the influence of Christianity, the book became important both symbolically and practically as an instrument of textual transmission. Decorated initials helped to reveal the structure of a text by emphasizing the beginnings of works, sections and verses. Historiated initials such as this one tended to be reserved for major divisions, while smaller initials might break a text into sections. A memorably decorated initial would help a reader locate its associated text. This is especially so when it reflected the text’s meaning, as in this case, where the initial introduces the sentence, Escoute fille les coma[n]demens de ton maître [Listen, daughters, to the commandments of your teacher]. It may seem odd that the initial, so appealing to the eye, introduces the injunction to “listen.” It reflects a cultural milieu in which the reception of texts was both auditory and visual.

This particular copy of the Rule I could find was produced in northeastern France toward the end of the thirteenth century. It also contains other devotional works, including Li livres des tribulations, Chanson d’amors de pure povreteit, and three short treatises. The French has feminine inflections, suggesting that the book was made for a female readership. An inscription pasted into the book by Claude de Grilly, a nun at the Abbey of Sainte-Glossinde, suggests the book may have been made for that convent.  JC

A couple of sources beeeelow... (sorry, is late while typing this after a hard day at job hehe) ::
  • Link provided to an Ebay seller (digital-scriptorium) that has auctions on ebay for a digitized copy of an 8th Century Rule of San Benedict of Nursia, probably this was one of the first editions commissioned.

Sunday, October 18, 2015

The Liber chronicarum, 15th C



The Liber chronicarum, (image source from provided ebay link) a universal history compiled from older and contemporary sources by the Nuremberg doctor, humanist, and bibliophile Hartmann Schedel (1440–1514), is one of the most densely illustrated and technically advanced works of early printing. It contains 1809 woodcuts produced from 645 blocks. 


The Nuremberg entrepreneur Sebald Schreyer and his brother-in-law, Sebastian Kammermeister, financed the production of the book. Michael Wolgemut and his son-in-law Wilhelm Pleydenwurff executed the illustrations in around 1490, a time when their workshop was at its artistic peak and the young Albrecht Dürer was just completing his apprenticeship there. 

The views of towns, some authentic, some invented or copied from older models, are of both artistic and topographical interest. This brilliantly colored copy, owned by Schedel, contains valuable additional matter, such as Erhard Etzlaub's map of the road to Rome. Along with the rest of Schedel's library, the book became part of the library of Johann Jacob Fugger, which in 1571 came into the possession of Duke Albrecht V of Bavaria.


This Chronicle is probably the most sophisticated printed book published before the year 1500 because of its use of different graphic layouts that integrate text and image in more varied ways than anything that had previously been attempted. 




Wikimedia has a lot of illustrations in three categories: one, two, three; a few of which also appear above.