Tuesday, January 19, 2016

The Rule of Saint Benedict, 13th(¿?) C.

The wonderful historiated initial below comes from the opening of a copy of the La regle saint Benoit, a French translation of the Rule of Saint Benedict. The illustration shows Saint Benedict addressing four attentive nuns. The artist incorporates suggestive details that give the scene a liveliness that is surprising for so small a picture. scene:: The nun closest to Benedict points to a passage, as if asking for clarification. Benedict holds his book closed, appearing to keep his place with his index finger as he pauses to answer a question.

Initial Detail 
 
Decorated initials are among the most striking features of manuscripts, but they were not widely attested until the Middle Ages. Books were rarely decorated in the ancient world because, even though literacy rates were higher, oratory remained the principal means of delivery while the physical books and scrolls were relegated to supporting roles.

During the Middle Ages, with the influence of Christianity, the book became important both symbolically and practically as an instrument of textual transmission. Decorated initials helped to reveal the structure of a text by emphasizing the beginnings of works, sections and verses. Historiated initials such as this one tended to be reserved for major divisions, while smaller initials might break a text into sections. A memorably decorated initial would help a reader locate its associated text. This is especially so when it reflected the text’s meaning, as in this case, where the initial introduces the sentence, Escoute fille les coma[n]demens de ton maître [Listen, daughters, to the commandments of your teacher]. It may seem odd that the initial, so appealing to the eye, introduces the injunction to “listen.” It reflects a cultural milieu in which the reception of texts was both auditory and visual.

This particular copy of the Rule I could find was produced in northeastern France toward the end of the thirteenth century. It also contains other devotional works, including Li livres des tribulations, Chanson d’amors de pure povreteit, and three short treatises. The French has feminine inflections, suggesting that the book was made for a female readership. An inscription pasted into the book by Claude de Grilly, a nun at the Abbey of Sainte-Glossinde, suggests the book may have been made for that convent.  JC

A couple of sources beeeelow... (sorry, is late while typing this after a hard day at job hehe) ::
  • Link provided to an Ebay seller (digital-scriptorium) that has auctions on ebay for a digitized copy of an 8th Century Rule of San Benedict of Nursia, probably this was one of the first editions commissioned.

Monday, January 18, 2016

NYPL’s NEW Digital Collections

The New York Public Library made a recent and exciting announcement --it has made available more than 180,000 images of public domain material from its collection as high-resolution downloads. The idea is to “facilitate sharing, research and reuse by scholars, artists, educators, technologists, publishers, and Internet users of all kinds.”

Images hail from every nook of the NYPL’s rich holdings, from medieval manuscripts to Federal Art Project and Farm Security Administration photographs. Looks nice, I still have to check max resolution available on those sources but... some samples below (links to source provided on images caption):

Thoreau-nypl.digitalcollections.e26fc720-6d0b-0132-8333-58d385a7b928.001.r.jpgHenry David Thoreau’s holograph draft manuscript of “Wild Apples,” 1850-1860.

Mss2.nypl.digitalcollections.510d47da-ec51-a3d9-e040-e00a18064a99.001.w.jpgText with illuminated miniatures, c. 1500-1525.

Map.nypl.digitalcollections.510d47d9-7d9f-a3d9-e040-e00a18064a99.001.w.jpgChromolithograph map, “Linguistic stocks of American Indians north of Mexico,” 1891.

Screen Shot 2016-01-11 at 9.41.07 AM.pngPhotograph by Berenice Abbott, “Oyster Houses, South Street and Pike Slip, Manhattan,” 1935.

Sunday, January 17, 2016

Constitution of Cadiz, 19th C

Constitución política de la monarquía española (1812)
The image at top is from the title page of its first edition (Cádiz: Imprenta Real, 1812)
 
The Constitution of Cadiz and its immediate predecessor, the Constitution of Bayona, emerged from the political and social crises of the Napoleonic wars. Napoleon Bonaparte invaded Spain in 1808 and replaced the Bourbon monarch Fernando VII with his brother Joseph. 
 
The Constitution of Cadiz is often considered the first liberal constitutions in Europe and in America (and). This document, consisting of 384 articles in about forty pages of text, established sovereignty in the nation and not in the king. The Roman Catholic religion received substantial preference under the Constitution, and the practice of other religions was prohibited. The text included provisions that evinced a liberal bias: representative elections at multiple levels of government, restrictions on the power of the king, rights to property, and rights for the criminally accused. Because the Constitution was drafted by deputies representing not only peninsular Spain but also the American provinces, it was the first truly transatlantic constitution.
 
 
Alvaro Flórez Estrada’s Constitución para la nación española (Birmingham: Swinney y Ferrall, 1810) is a proposed draft of a new constitution by one of Spain’s leading liberals. Flórez Estrada published his proposed draft of a new constitution while in England. 

This proposed draft of the Constitution of Cádiz was published in Mexico City, a reminder of its transatlantic reach. Many of the delegates to the Cortes that ratified the constitution were from Latin America.


An 1836 Alicante edition of the Constitution of Cádiz, extremely rare, bears the bookplate of María Cristina de Borbón, Queen consort of Fernando VII, and regent for her infant daughter Isabella II.

The frontispiece of the Constitution of 1837 (Madrid: Imprenta Nacional, 1837) bears an allegorical portrait of María Cristina de Borbón, depicting her as “the Restorer of Spanish Liberty”. Her regency set off the Carlist Wars, and when her re-marriage to an ex-sergeant in her guard came to light, the scandalized Spanish exiled her to France.
 
Yale University in USA has been collecting and acquiring Spanish Constitutions (I copy links to Cadiz versions, but they have also Bayona versions) during last years, they have an amazing collection:


CONSTITUTION OF 1837
CONSTITUTION OF 1876

Saturday, January 9, 2016

The Book of Durrow, 7th C

The Book of Durrow, or the Codex Usserianus I is perhaps the oldest surviving Insular gospel, was written around 650–675 either at the Durrow Abbey, County Offaly, Ireland, or in Northumbria, England. Wherever it was written, however, it ended up at the Durrow Abbey, where a cumdach (a silver covering) was made to house the manuscript. An inscription added to the text stated: “the prayer and benediction of St. Columb Kille be upon Flann, the son of Malachi, King of Ireland, who caused this cover to be made.”

The manuscript apparently remained at Durrow until the abbey was dissolved in the mid-16th century. According to legend the next custodian of the manuscript placed it in his watering trough to cure his cattle of sickness. Later, sometime around 1662, Henry Jones, Bishop of Clogher and Vice-Chancellor of Trinity College, presented the book to the college library, where it remains to this day.


The Book of Durrow, click for larger image
Folio 22, recto

By the time Christianity was introduced into Ireland by St. Patrick, nomadic Germanic tribes, such as the Angles, Saxons, Jutes and Frisians had conquered much of Europe, including England. Ireland, however, was apparently not all that important to the marauding Germanic pagans and they were left alone to develop a unique version of monastic Christianity. So when St Columbia reintroduced Christianity back into England by establishing monasteries in Iona, Scotland in 563 and Northumbria in 635 these Germanic and Celtic artistic traditions merged – a cross-pollination of sorts – into what is now known as Insular or Hibero-Saxon art.

The Insular scribes and illuminators were heavily influenced by Hibero-Saxon crafts: The complex interlaced knotting, perhaps the most recognizable Insular form, was borrowed from Celtic metalwork, the iconography of animals was borrowed from Germanic zoomorphic designs and the images of the Jesus and the Evangelists from Pictish grave markers. Of course, of all these other sources are now largely forgotten and it is the manuscripts that define the art.

The Insular manuscript ended with the invasion of Ireland by the Normans in 1169–1170, which ushered in the Romanesque style. Many insular design elements, however, continued to be adapted and used as decorative motifs. A millenium later Insular design, often under the misnomer Celtic design, continues to be popular

The Book of Durrow contains the complete compliment of Insular designs. Each gospel is laid out with a full-page miniature of the evangelist or his symbol:

The Book of Durrow, click for larger image
Portrait of Mark. Folio 84, verso
Then a purely ornamental full-page geometric design – a carpet page, named after its resemblance to a Persian rug:
The Book of Durrow, click for larger image
Carpet page. Folio 85, verso

Then an incipit page where the text begins with an elaborately decorated initial letter. These historiated initials became so large that they were integrated into the rest of the text by several lines of decreasing size – an effect known as diminuendo:

The Book of Durrow, click for larger image
Incipit of Mark. Folio 86, recto

Sunday, January 3, 2016

David Lance Goines on the Poster, 20 th C.

Bach, click for a much larger image
I love this one... Can you see the Book of Kells influence at this poster? Niiiiiiiice (here)
Bach, click for a much larger image 


::from wikipedia res:: Just the text below for the BIO...
David Lance Goines (born May 29, 1945) is an American artist, calligrapher, typographer, printing entrepreneur, and author. He was born in Grants Pass, Oregon, the oldest of eight children. During the 1960s, Goines enrolled at the University of California at Berkeley as a Classics major. While a student in classical literature at the University of California, Berkeley he participated in the Free Speech Movement of late 1964, which led to his expulsion. Though soon re-admitted, he again left the University in 1965, this time to apprentice as a printer in Berkeley. In 1968 he founded Saint Hieronymus Press there. The major output of the press consists of Goines' limited edition poster and calendar art
 




Poster Exhibition, click for a much larger image


Goines first printed this poster for his friend Tom Luddy and the Pacific Film Archive to advertise a showing of the film Chronik der Anna Magdalena Bach in 1973. Long after the movie finished playing, Goines changed the text and the poster became a general publicity piece for the San Francisco-based California Bach Society. It is perhaps his most popular poster, going through no less than three printings.

Like many of his late-1960s Bay-area contemporaries, Goines was influenced by the German Jugendstil movement, especially Lucian Bernhard and Ludwig Hohlwein. Unlike most of the psychedelic designers, however, he pared his designs down to only the most relavent elements: a strong central image, limited use of color, and a straightforward message. Anything more he felt was no longer a poster.

Although Goines graphic style is most often described as Arts and Crafts, he draws on a wide range historical styles including Japanese ukio-e woodblocks, Art Nouveau, Vienna Secession and Art Deco. His Bach poster, for example, is influenced by Celtic stonework and the Book of Kells to characterize the composer as the "fifth evangelist." Link to my previous post about the Book of Kells here


Goines Posters, click for a much larger image

Hubbard, click for a much larger image 


What separates Goines from other designers, of course, is that he prints his own work. His posters are all 2-24 solid-color lithographs printed on the same press he learned his trade on in the 1960s. It goes with saying that 4-color reproductions in books or the images presented here hardly do the originals justice.



Napa Valley Wine Auction, click for a much larger image 



No. 167. Napa Valley Wine Auction, 1996
This poster is still available from the California Bach Society. For around 30 USD you not only get an actual Goines-printed poster but help support the Society.